Tonal Differences Within V846 Wah ProductionÄespite the fact that all Clyde McCoy, V846, Vox King Wah and Thomas Cry Baby pedals were constructed from the same schematic, significant tonal differences may be heard between pedals. V846 production was then split between JEN and the Thomas International Corporation facility in Chicago, IL. By the late seventies, the Thomas facility in CA was shut down. By the early seventies, production was divided between JEN and Thomas Organ in California. About a year later it was again shifted to JEN of Pescara, Italy. By mid 1967, production was moved to EME (Eko guitars) in Recanati, Italy. The V846 Wah-Wah was initially manufactured in early 1967 by Thomas Organ in Sepulveda CA. Print ads featuring the Vox Wah-Wah for guitar commenced in May 1967. They dropped their association with Clyde McCoy and renamed the pedal the V846 Vox Wah-Wah. In a press conference covered by Billboard Magazine on April 8, 1967, Vox recognized that the true sales potential for the Vox wah was for guitar. Thomas Organ offered the "Clyde" pedal in their Vox Ampliphonic band and orchestra product line, initially targeting it for use with amplified brass and wood wind instruments rather than guitar. McCoy was a jazz musician that utilized a cup mute to create a wah effect on his trumpet. Thomas Organ completed their first wah-wah pedal, the Vox "Clyde McCoy Wah-Wah" in late 1966.
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